Cyberinstruments via Physical Modeling Synthesis: Writings on Compositional Applications

Burtner, Matthew and Stefania Serafin. “Real Time Extended Physical Models for the Composer and Performer.” International Computer Music Conference, La Havana, 2001.

Burtner, Matthew and Stefania Serafin. “The Exbow MetaSax: Compositional Applications of Bowed String Physical Models Using Instrument Controller Substitution.” Journal of New Music Research Vol. 31, No. 2 (2002), 131-140.

Castagne, Nicolas and Claude Cadoz. “GENESIS: A Friendly Musician-Oriented environment for Mass—Interaction Physical Modeling.” Proceedings International Computer Music Conference, Goteborg, 2002.

Cadoz, Claude. “The Physical Model as Metaphor for Musical Creation “pico..TERA”, a Piece Entirely Generated by Physical Model.” Proceedings International Computer Music Conference, Goteborg, 2002.

Chafe, Chris. "Simulating Performance on a Bowed Instrument." Current Directions in Computer Music, Max Mathews, ed., Cambridge, MA: MIT Press, 1989.

Chafe, Chris. “Interplay(er) Machines”. Contemporary Music Review. Vol. 18, Part 3 (1999), 89—97.

Chafe, Chris. “Case Studies of Physical Models in Music Composition.” Paper read at International Congress Acoustics, Kyoto, Japan, 2004.

Chafe, Chris. “Oxygen Flute, a Computer Music Instrument that Grows.” Journal of Computer Music Research, Vol 34, Issue 3 November 2005.

Kojs, Juraj. “At and Across: Physical and Virtual Action-based Music.” Proceedings of ENACTIVE/07, 4th International Conference on Enactive Interfaces, Grenoble, 2007.

Kojs, Juraj and Stefania Serafin. “Stirring, Shaking, and Mixing: Musicalizing Everyday Actions.” Proceedings of International Computer Music Conference, Copenhagen, 2007.

Kojs, Juraj and Stefania Serafin, and Chris Chafe. "Cyberinstruments by Physical Modeling Synthesis: Compositional Applications." Leonardo Music Journal, Vol 17. 2007.

Kojs, Juraj and Stefania Serafin. “Everyday Objects in Interactive Electroacoustic Compositions.” Proceedings of Sound and Music Computing, Lefkada, Greece, 2007.

Kojs, Juraj and Stefania Serafin. “The Fujara: A Physical Model of the Bass Pipe Instrument in an Interactive Composition.” Proceedings of International Computer Music Conference, New Orleans , 2006.

Luciani, Annie, Nicolas Castagne, and Nicolas Tixier. “Metabolic Emergent Auditory Effects by Means of Physical Particle Modeling: The Example of Musical Sand. Proceedings of conference on Digital Audio Effects, London. 2003.

Morrison, Joseph and Jean Marie Adrien. “Control mechanisms in the MOSAIC Synthesis Program.” Proceedings of International Computer Music Conference, San Francisco. 1991.

Morrison, Joseph and Jean-Marie Adrien. “MOSAIC: A Framework for Modal Synthesis.” Computer Music Journal. Vol. 17, No. 1 Spring (1993).

Reyes, Juan. “Composing for the Physical Model of the Maraca,” 2001. Retrieved from http://ccrma.stanford.edu/~juanig.

Serafin, Stefania and Amalia de Goetzen. “The Croaker: Design and Evaluation of New Multimodal Interface.” Proceedings of Sound and Music Computing, 2005.

Serafin, Stefania and Juraj Kojs. “Computer Models and Compositional Applications of Plastic Corrugated Tubes.” Organized Sound. Vol 10 (1), 2005.