Physical Modeling Synthesis Related Writings

Bensa, Julien. Analysis and Synthesis of Piano Sounds Using Physical and Signal Models. PhD. Thesis. Universite de la Mediterranee, 2003.

Borin, Gianpaolo, Giovanni De Poli, and Augusto Sarti. “Algorithms and Structures for Synthesis Using Physical Models.” Computer Music Journal. Volume 16, No.4, (Winter 1992).

Cadoz, Claude, Annie Luciani, and Jean Loup Florenc. “CORDIS-ANIMA: Modeling and Simulation System for Sound and image Synthesis—the General Formalism.” Computer Music Journal, Vol. 17, No. 1 (Spring 1993).

Calvet, O., R. Laurens, and Jean Marie Adrien. “ Modal Synthesis: Compilation of Mechanical Sub-structures and acoustical Sub-systems.” Proceedings of International Computer Music Conference,San Francisco. 1990.

Castagne, Nicolas and Claude Cadoz. “GENESIS: A Friendly Musician-Oriented environment for Mass—Interaction Physical Modeling.” Proceedings International Computer Music Conference, Goteborg, 2002.

Cook, Perry. Identification of Control Parameters in an Articulatory Vocal Tract Model, with Applications to the Synthesis of Singing. PhD. Thesis, Stanford University, 1991a.

Cook, Perry. “A Meta-Wind-Instrument Physical Model, and Meta-Controller for Real-Time Performance Control.” Proceedings of International Computer Music Conference, San Francisco, 1992.

Cook, Perry. “Physically Inspired Sonic Modelling (PhISM): Synthesis of Percussive Sounds.” Computer Music Journal, 21 Issue 3 (1997), 38—49.

Cook, Perry and Gary P. Scavone. “The Synthesis ToolKit (STK).” Proceedings of International Computer Conference, 1999.

Cook, Perry. Real Sound Synthesis for Interactive Applications. Natick: A K Peters, 2002a.

Cook, Perry. “Modeling Bill’s Gait: Analysis and Parametric Synthesis of Walking Sounds.” Proceedings of 22nd International Conference on Virtual, Synthetic and Entertainment Audio, 2002b.

van den Doel, Kees, Paul G. Kry, and Dinesh K. Pai. “FOLEYAUTOMATIC:
Physically-Based Sound Effects For Interactive Simulation and Animation”. Proceedings of SIGGRAPH Conference, 2001.

Essl, Georg and Perry Cook. “Measurements and Efficient Simulation of Bowed Bars.”
Journal of the Acoustical Society of America, 108 (July 2000), 379–388.

Essl, Georg. Physical Wave Propagation Modeling for Real-Time Synthesis of Natural Sound. PhD. Thesis, Princeton University, 2002.

Hiller Lejaren and Pierre Ruiz. “Synthesizing Sounds by Solving the Wave Equation for Vibrating Objects.” Journal of the Audio Engineering Society. 19 (1971), 463—470, 542—551.

Jaffe, David A. “An Overview of Criteria for Evaluating Synthesis and Processing.” Computer Music Journal, Vol. 19, Issue 1 Spring (1995), 76—87.

Karplus, K. and A. Strong. “Digital Synthesis of Plucked String and Drum Timbres.” Computer Music Journal. 7 (2) (1983), 43—55.

Kelly, .J. and C. Lochbaum. “Speech Synthesis.” Proceedings of the Fourth International Congress on Acoustics. 1962.

McIntyre, M., R. Schumacher, and J. Woodhouse. “On the Oscillation of the Musical Instruments.” Journal of the Acoustic Society of America 74 (5) (1983), 1325—1345.

Morrison, Joseph and Jean Marie Adrien. “Control mechanisms in the MOSAIC Synthesis Program.” Proceedings of International Computer Music Conference, San Francisco. 1991.

Morrison, Joseph and Jean-Marie Adrien. “MOSAIC: A Framework for Modal Synthesis.” Computer Music Journal. Vol. 17, No. 1 Spring (1993).

Roads, Curtis. A Computer Music Tutorial. Cambridge, MA: MIT Press, 1996.

The Sounding Object. D. Rocchesso and F. Fontana, eds. Firenze: PHASAR Srl,
2003.

Scavone, Gary P. An Acoustic Analysis of Single-Reed Woodwind Instruments with an Emphasis on Design and Performance Issues and Digital Waveguide Modeling Techniques. PhD. Thesis, Stanford University, 1997.

Serafin, Stefania, Patty Huang, and Julius O. Smith III. “The Banded Digital Waveguide
Mesh.” Proceedings of the Workshop on Future Directions of Computer Music (Mosart-
01), Barcelona, 2001.

Serafin, Stefania, Patty Huang, Solvi Ystad, Chris Chafe, and Julius O. Smith III. “Analysis and Synthesis of Unusual Friction Driven Musical Instruments.” Proceedings of the International Computer Music Conference, Goeteborg, 2002a.

Serafin, Stefania, Carr Wilkerson, and Julius O. Smith III. “Modeling Bowl Resonators UsingCircular Waveguide Networks.” In Proceedings of Conference on Digital Audio Effects (DAFX-02), Hamburg, 2002b.

Serafin, Stefania. The Sound Of Friction: Real-Time Models, Playability And Musical Applications. PhD. Thesis. Stanford University, 2004.

Smith III, Julius O. “Synthesis of Bowed Strings”. Proceedings of International Computer Music Conference, San Francisco, 1982.

J Smith III, Julius O. Techniques for Digital Filter Design and System Identification
with Application to the Violin. PhD. Thesis. Stanford University, 1983.

Smith III, Julius O. Introduction to Digital Filer Theory. Report No. STAN-M-20. Stanford University. 1985.

Smith III, Julius O. “View points on the History of digital Synthesis.” Proceedings of the International Computer Conference, Montreal, 1991.

Smith III, Julius O. “Physical Modeling Using Digital Waveguides.” Computer Music Journal, Vol. 16, No. 4, Winter (1992).

Smith III, Julius O. Physical Modeling Synthesis Update. The Computer Music Journal, Vol. 20, No. 2 Summer (1996), 44—56.

Steward J. “An electrical analogue of the vocal organs.” Nature. 110: 311—312. 1922.

Sullivan, Charles. “Extending the Karplus-Strong Algorithm to Synthesize Electric Guitar Timbres with Distortion and Feedback.” Computer Music Journal, 14 (3) (1990), 26—37.

Valimaki, Vesa and Tapio Takala. “Virtual Musical Instruments—Natural Sound Using Physical Models.” Organised Sound 1(2) (1996), 75—86.